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Beatles for Sale. Beatles for Sale Beatles for Sale No. Edited from 12 minutes to under 5. Stereo [b] fades in; [a] does not. This version was prepared for the Sessions LP in The ending has been looped to repeat into a fadeout. A tape with the real ending was played at the Abbey Road show in and has been bootlegged.
Drums are mixed louder in stereo [b]. Mono [a] is 5 seconds longer than the longest appearance of [b], long fade. This song has appeared with early fades on some compilations in stereo.
This version was mixed and edited for the Sessions LP. Comparison to another mix that has been bootlegged shows extensive editing and some use of tape loops.
Among other things a short guitar solo and one line of lyric are edited out here. Stereo [b] has an extra tap at the start. Mono [a] lacks bass until the vocal starts. The 2d generation tape is an edit of two takes, each of the two tapes being itself a mixdown from the original 4-track.
The edit causes an abrupt transition at the end of the guitar solos. In stereo, traces of other vocal and guitar parts can be heard throughout the song in the left channel, including something shouted over parts of the vocal and what sounds like another different guitar solo. After the edit, the trace lead vocal suggests we are hearing the first part of the song from the other take.
The edit in the mixes added the countdown intro, which is louder in mono [a]. This version is not any of those prepared under John Lennon's supervision in and , several of which have appeared on bootlegs, but is a new version made for the Sessions LP in It is not just a remix; sound effects have been introduced, and the long end section has been edited considerably. For example, none of Lennon's mixes put lines of the song into the end section. This shows that the intro to the standard version is an ad lib or at best had just been worked out before recording.
Of the two vocal tracks, one is louder in [b], the other in [a]. The plane sound effects differ in [a] and [b]. Mono [a] has louder piano, a yell after the opening plane sound, and drumbeats under the closing plane sound. Stereo [b] has extra guitar chords at the start of the solo, and shouts and piano during the guitar solo.
Stereo [a] has slightly more treble and fades to a lower volume at the end. The Clapton guitar remains loud in mono [a] after the solo break, not in [b].
Near the end of the fadeout only the stereo [b] has "yeah yeah yeah", even though it is a few second shorter than [a]. The basic song runs about to a pause shortly after Paul's distorted vocal, too close to the microphone. Mono [a] then is edited into more of the same take, with sound effects noises, and fades at Stereo [b] is edited instead to a different part of the take, fading out and then back in again, with another edit, ending finally at after Ringo shouts "I've got blisters on my fingers!
Is the distorted vocal "Can you hear me speaking-- woo! The edit adds the end orchestral piece. Archived from the original on 18 July And Videos".
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