For Exile on Main St. Archived from the original on 9 August Archived from the original The user must select 'The Rolling Stones' from the drop-down menu.
Retrieved 1 June Retrieved 18 June GfK Entertainment Charts. Retrieved 17 June Roppongi , Tokyo : Oricon Entertainment. Oricon Style. Archived from the original on 3 March Retrieved 1 May Retrieved 14 December Swedish charts. Retrieved 12 January Archived from the original PDF on 23 March Recording Industry Association of America. Music Canada. Retrieved 2 May British Phonographic Industry.
Retrieved 2 March Australian Recording Industry Association. Archived from the original on 10 August Retrieved 3 July Federazione Industria Musicale Italiana. Retrieved 12 June Select "" in the "Anno" drop-down menu.
Select "Exile on Main Street" in the "Filtra" field. Select "Album e Compilation" under "Sezione". Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Retrieved 30 October Bundesverband Musikindustrie. Retrieved 5 May Archived from the original on 10 November Recording Industry Association of Japan. No longer reliant on covers filling in around their songs, Mick and Keith are a confident songwriting team and for the first time fill an entire album with their originals.
With the increasing instability of founding member Brian Jones, Keith stepped in and incorporated a more hard-edged sound which matches their preferred original cover art of a dirty bathroom wall. Released in late , Let It Bleed saw the Stones closing out a decade where Swinging London and the Summer of Love was now a distant memory and the war in Vietnam was on television.
The album continues what they started on Beggars Banquet and drips sex and blood. This tour also marked the addition of guitarist Mick Taylor to the lineup, having replaced the late Brian Jones earlier in the year during the Let It Bleed sessions. There may be more sought-after live bootlegs from this time period but as far as official live albums go, this is one of the best ever.
Exile on Main St. Recording continued in Los Angeles where Mick adds his stamp to the arrangements, adding overdubs and gospel influences.
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